Over the holidays, my son wanted us to watch a movie together. He had something very recent in mind, and he didn’t think Netflix would carry it. I’d never logged onto Hulu, and the Roku seems to have misremembered the PIN number that I wrote down a long while back, so… we went movie-hunting in Netflix, despite my son’s strongly expressed misgivings.
(The previous paragraph, by the way, is an excellent capsulization of e-life: infantilized product names, cryptic acronyms, passwords and numbers galore, software malfunction [I wrote the PIN down precisely because it worked at one time]… so much spiritual poverty amid so much material wealth!)
After we tired of combing through endless yet uniformly idiotic offerings, I all-but-blindly clicked on something titled U.S.S. Indiana. It claimed to be historical. How could you go far wrong with World War II? It opened with two ordinary seamen puttering up to a Southern mansion in an old truck. The one was ushered into a roomful of profiteer-industrialists back-slapping each other over all the riches the war had brought them and closely questioning their guest in bell-bottoms about the Manhattan Project. The other was taken upstairs to a bevy of hot Southern chicks dancing to jazz in slow-motion moves that reminded one of Ice Follies… and of these, she who was most overly made-up partnered up with Sailor Boy for a lust-at-first-sight tango.
Back to menu. Scroll down. Hmm… Canadian movies. The Canadians are more tasteful and cultured than we, are they not? They’re always telling us so. I’ll try this.
Rampage: President Down. Guns, guns, guns. Explosions, assassinations, land mines, tunnel-crawling, body armor, target practice, machine-gunning, more explosions… punctuated with Superhero Mass-Murderer’s raves on some recorded message or other about the United States being solely responsible for all the violence and evil in the world.
We ended up with Trailer Park Boys, a serial which seems much more adequate to the genius of the contemporary Canadian mind. My wife had retired to bed by that time, so the steady barrage of f-bombs fell on hardened ears; and, of course, it occurs in a context which underscores the impotence of brain capacity hasn’t learned to cope with modern living. One can let loose and laugh.
What about the “serious” productions, however? A common seaman being grilled by drooling capitalists about the nuclear bomb before one was ever dropped? Did someone hire the Trailer Park Boys to write this script?
I’m sure the Canadian snot who directed the assassination-orgy would argue that we Americans brought all the violence into the world–so if we’re offended, well… take that! But you’re the one responsible for this movie, imbecile. And if you have a specific indictment to lodge against a specific American foreign policy initiation–Vietnam, Iraq, Afghanistan, Obama’s beloved drone program–then do some research and make a film about that particular adventure. Your vengeance-flatulent fantasy about the lone-wolf weird kid turning the tables on the playground bullies and taking them all out (in FBI and CIA gear) with grenades and exploding bullets conveys about as much moral insight as Stephen Paddock Against the World would have displayed if the Las Vegas shooter had lived to get a directing gig in Hollywood.
I could drop some trailer-park adjectives myself when I think about what utter crap our “entertainment” industry is churning out. You tedious, talentless, parasitic, hypocritical, sanctimonious, morally vacuous, intellectually bankrupt, doped-up, spaced-out legions of deadbeats and losers! I hope your punishment is to watch your own creations over and over for all eternity.