I heard a ballplayer whose glory days were in the Eighties opine on TV yesterday that he wished he had been more expressive while in uniform–more “passionate”, like the studs of today. Fist-pumps, bat flips, victory dances in the dugout after a home run… he apparently found all this more “honest” on the player’s part and more entertaining from the spectator’s chair. There’s something (and I should say quite a lot) that this old warrior oddly doesn’t understand about yesteryear’s Boys of Summer. Yes, they wouldn’t let you get away with such gallivanting-monkey routines. The pitcher would deck you with his best fastball the next time you stepped into the box–or the opposing team might not even let you get back to your bench before pouring out onto the field. Why was that? Was it because the old boys weren’t involved in the game–because they lacked “passion”?
Just the reverse, actually. They were so absorbed in their chores that, should an adversary dance a derisive jig upon their best effort brought to naught, the insult bit them to the marrow. No one back then was trying to launch balls in some exhibitionist home run derby or spread his bright feathers in a slam-dunk contest: they were, as George Will has called them, men at work. The day’s labor of a working man doesn’t deserve to be scoffed at. Try it at your peril.
The lads of today, in contrast, do not bring an adult’s pride and determination to their job site. They bring a kid’s vainglory and frivolity. Like children, they have not yet fully grasped the self/other distinction. They can sense in any given moment no more than their own exultation, narcissistically–they cannot imagine what chagrin they would feel at the receiving end of a defeat and extrapolate that sentiment to the proud foe they have just vanquished.
We see this pathological childishness in so many theaters of pop culture that I really can’t think of one where it fails to appear. Take but a single further example. Tomi Lehren exploded upon Twitter and YouTube and won herself a nice gig on The Blaze by sassing her political adversaries. My limited exposure to her never suggested to me that she lacked intelligence or sensitivity, given the chance to display them–but her shtick did not involve giving herself many such chances. Young, petite blonde chick who’s twenty-five while looking and sounding all of twelve, Tomi could nyah-nyah at Black Lives Matter or campus protesters in vagina hats with all the joy and spirit of a brat kid at the zoo chucking rocks into the tiger’s cage. This is what people wanted to see her do… and so she did it, right up until the moment when she got a little too sassy and struck the tiger in the eye. It remains to be seen if Glenn Beck will renew her employment after she–in one of those endzone boogies that draws an “unsportsman-like conduct” flag–styled the abortion-opponents of her party hypocrites while congratulating herself for her marvelous coherence. All the issue’s complexities flew away in a toss of golden hair and in tones of juvenile but winsome smugness… and away went the paycheck, too.
Of course, no one made Beck employ Tomi, to begin with–and he knew exactly what he was buying. My dismay is over why such juvenilia sells. Is there no hope for us to recover any gravitas, any internal ballast, and sense of substantial selfhood hidden away from the world’s prying eye, ever again in this age of constant posing? Have we culturally contracted a terminal case of chronic adolescence?